Music To Work To: The Score of the Movie "Social Network"...

Who out there likes to work to music?

When you're working on your laptop, music can either help or hurt your attention.  For me, it's always felt better to have the TV in the background as music has generally interrupted my flow.

I've found an exception to that rule - The soundtrack from the movie "The Social Network", created by Trent Reznor and Atticus Ross.  You remember the movie from 2010 chronicling the rise of Mark Zuckerberg and Facebook.  Here's a snippet about this soundtrack, which I'm recommending you to attempt to work to in the background:

"The Social Network is a dark ambient soundtrack by Trent Reznor and Atticus Ross for David Fincher's film of the same name. It was released on September 28, 2010. On September 17, a five-track sampler was also made available for free. The film's score bears a similar sound to the previous Reznor/Ross 2008 collaboration, Ghosts I-IV, and even features two slightly reworked tracks from Ghosts : the track "Magnetic" (reworked from "14 Ghosts II") and "A Familiar Taste" (a remixed version of "35 Ghosts IV").

Critical reception of the soundtrack has been generally favorable, with high praise and widespread acclaim across the film industry being bestowed upon it. The score won nine major awards, including the 2010 Golden Globe award for Best Original Score – Motion Picture, and the Academy Award for Best Original Score at the 83rd Academy Awards."

The word "ambient" fits this soundtrack - here's the definition of ambient music:

"a style of gentle, largely electronic instrumental music with no persistent beat, used to create or enhance a mood or atmosphere."

A lot of you know Trent Reznor from a little band called Nine Inch Nails.  Creative genius.  As it turns out, there are thousands of people using this soundtrack to study to, code to and work to.  See just a few of the comments below related to how this soundtrack aids attention - one commenter says "this is what adderall sounds like" - and then see the youtube upload of the soundtrack underneath some of those comments. (email subscribers click through if you don't see the comments or the YouTube embed below)

Give it a shot next time you want to groove when knocking stuff out or writing on your laptop.

Social network soundtrack
 


The Time You Wanted To Be Blink 182, But Sold Out To The Man...

We've all got guilty pleasures that wouldn't stand up to the world's judgement.

Some of us watch shows on TV that we wouldn't want the world to know about. Others have browsing histories in Chrome that are California-5728de26c873f damning at best.

Me? I like Blink 182.  A lot, probably too much.

Blink 182 is out with a new album and a new tour.  Of course, the hard core Blink fans out there in my readership question whether this is really Blink 182 - since they did it without founding singer-guitarist Tom DeLonge, who is apparently off researching UFOs. Blink subbed in Matt Skiba of Alkaline Trio, which is kind of like Mark Wahlberg subbing for a Steel Dragon legend in the movie Rock Star.

My point?  We've all got brands, and over time, those professional brands evolve. Every one of us has something that made us special, and for the most part, we had to hide some of what made us unique to conform to the cultures we had to live in at work.

Blink 182 is back to to their roots of what made them special with their new album. How do I know this?  Consider the first track on the record, which is 17 seconds long (email subscribers click through for video below):

That's right - here's the lyrics:

Woo, woo
I wanna see some naked duuuuuuudes
That's why I built this poooooool

If there's one thing that has defined the Blink 182 brand, it was being hopelessly juvenile. My guess here after a bit of research is that the Blink 182 crew aren't gay but they're also not bigots.  They're just on brand of making fun of everything they can.  That's the case as California ends with another microsong, “Brohemian Rhapsody” (sure), whose lyrics, in full, are as follows: “There’s something about you / That I can’t quite put my finger in.”

Geesh. Those guys.

This the same band that brought you the album title Enema of the State and broke onto the scene at the MTV music awards by performing "All The Small Things", complete with dozens of little people running around the stage.

These men will be boys.  You're judging me right now for writing this post.

As you do that, reflect on this: Whatever makes you special professional - the thing you've had to push to the background to get paid and make a living - would you be better off by bringing it back?  By letting your freak flag fly?

The reality is by doing that, you're limiting where you can earn a living - because most of the world wouldn't understand. But some of the world would get it, and it would probably make you much more valuable to those people.

It's OK to judge me for writing this post.  Just email me your Chrome browsing history and we're even.